Xllc Brosnan stays on board for Bond films 20 and 21
Market sets scene for Berlin and Cannes but few deals sealed.Sellers reported a slow start to the year at UniFrances annual Rendez-vous with French Cinema in Paris over the weekend Dec 14-18 in terms of sealed deals but said the event had set the stage for sales at Berlin and e <a href=https://www.stanley-cup.com.de>stanley cup ven Cannes. Buyers are getting pickier. They want titles theyre 100% sure will work in their territories. You get the sense things are tougher for them and that theyre not prepared to take risks. Theyre looking for the next La Famille B茅lier or Serial Bad Weddings, commented Olivier Albou of Other Angle Pictures, referring to two of Frances top comedy exports of the last 18 months.Albou said there was strong interest for Other Angle titles The Roomma
stanley cup tes Party Le Grand Partage , Full Speed A Fond , by Babysitting director Nicolas Benamou, and A Mighty Team La Dream Team , which opened the event on Thursday evening. Weve got a number of deals underway which we hope to conclude by Berlin but sometimes titles launched at the Rendez
stanley cup -vous eventually sell during Cannes. Thats the way of the market these days, he added.Indie Sales chief Nicolas Eschbach reported ongoing offers for childrens video game adaptation animation Dofus - Book II Julith, which market premiered to buyers and a handful of younger guests; thriller Fast Convoy, as well as renewed buzz for Joachim Lafosses The White Knights which world premiered at Toronto Were not sure what triggered it but there was a sudden revival in interest. W Wuvq IDWE developing comic series Darkness Visible for television
Talking to Screen in Cannes, the European commissioner said that there had been scaremongering around the issue.As uncertainty continues to dog the European film industry about proposals for the Digital Si <a href=https://www.stanleyusa.us>stanley usa ngle Market DSM , EC commissioner Andrus Ansip has sought to reassure the industry.The former Estonian Prime Minsiter, now serving as the ECs vice-president for the DSM, told Screen here in Cannes: The principle of territoriality has to stay. It is important, especially for smaller producers. Territoriality is the long-established practice of films being licensed and released on a country by country basis. The fear conjured up by DSM proposals was that as soon as a film was available digitally in one European country, it would be available everywhere else too.Ansip suggested there had been scaremongering over the issue in Cannes last year when the Commission launched its digital market strategy. A year ago in Cannes, people here were pretty afraid about the principle of territoriality, he recalled. Too many people, filmmakers, took defensive positions at the very beginning. The Commissioner again talked of the importance of ensuring portability - the idea that EU consumers should be allowed access to their digital content even when travelling t
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stanley cup s. At the same time, we also have to make it easier to clear rights for our people to get cross-border access to some really valuable movies for our people from some other countries, added Ansip.At the same time