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Dir/scr: Paul Feig. US. 2015. 115minsFans of Melissa McCarthy who have cheered her big-screen ascension but lamented the one-note characters which helped fuel her rise can rejoice: With Spy, the very charming, deeply lovable, potently funny actress f <a href=https://www.stanley-cups.de>stanley cup inally gets a role worthy of her talent. A goofy spoof of spy movies that also works rather well as a stanley cup straight-up action-comedy, the latest from writer-director Paul Feig who previously teamed with McCarthy on Bridesmaids and The Heat stanley cup may, admittedly, be a bit overstuffed with plot and set pieces. Nonetheless, this is a generous, consistently pleasurable comedy that finds its star leaving behind the oafish, obnoxious portrayals that marked her forgettable broad comedies like Identity Thief.Spy is plenty of cheery fun, much of the joy coming from watching McCarthy in a blockbuster comedy for once not just be funny but also incredibly charismatic, vulnerable and sexyPremiering at South By Southwest, Spy is scheduled to be released in some territories in late May before hitting the US and UK on June 5. Last years Tammy $100m worldwide didnt perform as well as previous McCarthy vehicles Identity Thief $174m and The Heat $230m , but Spys clear commercial hook 鈥?combined with an ensemble that includes Brits Jason Statham, Jude Law and Miranda Hart 鈥?should help bring in audiences across the globe. Those partial to McCarthys loud-and-crude shtick may be disappointed that she plays a much more normal person in Spy, but the betting Ojyh Berlinale trio seal German distribution deals
Dir/scr: Justin Edgar. UK. 2007. 78mins.Few films successfully negotiate the tricky expansion from short to feature but Special People is a happy exception. Justin Edgar s adaptation of his 12 minute 2005 short builds o <a href=https://www.stanleycup.fr>stanley cup n the original material without diluting any of its sharp humour and also provides a deeper sense of the characters and their lives.The story of a stanley cup film-maker working with a group of disabled teenager is used to create a well-observed tale with a big heart. The result is very likeable but also very modest although some enterprising distributor should be able to carve a theatrical presence for the title within the UK market and further extensive festival exposure seems guaranteed. One of the strengths of Special People is the way it makes use of improvisation without turning that into an excuse for rambling self stanley cup -induglence. This is a very disciplined piece of work with the kind of trim running time that leaves audiences wanting more. Dominic Coleman stars as Jasper, a pretentious, patronising film-maker with his heart in the right place. Proud of his social realist short Koncrete Dreamz, he eagerly accepts the challenge of helping a group of three disabled teenagers to make their own film. Surly Jess Frampton , eager aspiring auteur Scott Proud and curmudgeonly delinquent Dave Maza regard Jasper with a mixture of pity and resentment especially when it becomes clear that the project is more about furthering his ambitions than serving their needs.Events come t