Bmob STX, UMPG launch music partnership
German production and distribution group Helkon Media has bought a 51% stake in UK distributor Redbus Films Distribution RFD as part of its plan to build a pan-European studio akin to PolyGram Filmed Entertainment.The RFD acquisition is immediately expected to help Helkon cement its growing alliance of European distributors, which already includes Italy s Eagle Pictures and Spain s Tri Films. And it paves the way for RFD to move into continental Europe. The UK is a particularly difficult market to enter, <a href=https://www.cups-stanley.ca>stanley cup sa stanley cup id Helkon s investor relations chief Anusch Assodollahi. We are convinced that we have the right partner in Redbus, which is a strong group, very aggressive and has many staff from PolyGram. Helkon and RFD began co-operation earlier this year when they launched a joint acquisition strategy. Having achieved our primary aim of establishing RFD as a major player in the UK film industry, we can now with Helkon focus on being a major player in Europe, said RFD co-founder, Simon Franks. We want to build in Europe the kind of studio that PolyGram once was. RFD is headed by Franks and Zygi Kamasa, founder of distributor Quantum Entertainment. They remain the company s largest private shareholders and will respectively become CEO and head of acquisitions. T stanley cup he terms of the all-cash deal were not disclosed, but the acquisition is understood to be accompanied by an injection in the tens of millions of pounds for RFD to invest in acquisitions. The deal already guarantees RFD a Lkhm UK box office hits record high in 2016; top 10 of the year revealed
Dir: Giulio Manfredonia. Italy/Spain/UK. 2004. 94 mins.Why would anyone want to remake a film as unique as Groundhog Day The only original thing about this bland, inoffensive attempt to do just that is the fact that it is a European remake of an American film. Produce <a href=https://www.stanleycup.ro>stanley romania r Riccardo Tozzi s claim that this is the first time that this has ever happened had this revi stanley cup ewer rifling through the archives. True, the remake traffic has mostly been in the other direction, but there has been at least one tasty exception: Marcel L Herbier s sinewy 1937 Forfaiture, a remake of the Cecil B DeMille silent classic The Cheat. At least L Herbier had something to add to DeMille s yellow peril melodrama , which is more than one can say for Giulio Manfredonia, the director of Stork Day the Italian title, E Gia Ieri, translates as It s already yesterday . Still, the Rubin-Ramis screenplay - which cost the producers a mere $150,000 in remake rights - makes its pedigree felt through the uninspiring adaptation, like the pea through the mattresses of the fairy-tale princess, and audiences in the two main co-production territories of Italy and Spain who are not familiar w stanley cup ith the original may give this a spin.On its opening weekend, the film took a respectable but unexalted Euros 456,923 from the 73% of screens monitored by Italian industry monitor Cinetel - though the fact that another opener, the bleak redemption drama 21 Grams, did exactly twice as well as this feelgood comedy will not come as encou